Corpus-based concatenative synthesis (CBCS) builds on a large database of segmented and descriptor-analysed sounds that are selected and played according to proximity to a target position in the descriptor space. This can be seen as a content-based extension to granular synthesis providing direct access to specific sound characteristics in real-time. The aim of the article is to show how CBCS supports-or actually inspires-new musical ideas by exploring the corpus interactively or via a written target score. We will show this with 4 musical examples of pieces that explore the concepts made possible by CBCS of live corpus recording, navigation in 3D in a metaphor of a score, interaction and corpus cross-synthesis, and harmonic selection tighly integrated with an orchestra score.
CITATION STYLE
Schwarz, D., Britton, S., Cahen, R., & Goepfer, T. (2007). Musical applications of real-time corpus-based concatenative synthesis. In International Computer Music Conference, ICMC 2007 (pp. 47–50). International Computer Music Association.
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