Over the past few decades, there has been an increasing number of musical instruments and works of sound art that incorporate robotics and mechatronics. This paper proposes a new approach in classification of such works and focuses on those whose ideological roots can be sought in Luigi Russolo’s noise-intoners (intonarumori). It presents a discussion on works in which mechatronics is used to investigate new––and traditionally perceived as “extra-musical”––sonic territories, and introduces Rasper: a new mechatronic noise-intoner that features an electromechanical apparatus to create noise physically, while regulating it rhythmically and timbrally.
CITATION STYLE
Zareei, M. H., Kapur, A., & Carnegie, D. A. (2014). Rasper: A mechatronic noise-intoner. In Proceedings of the International Conference on New Interfaces for Musical Expression (pp. 473–478). International Conference on New Interfaces for Musical Expression.
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