In this paper, we introduce a general framework for product experience that applies to all affective responses that can be experienced in human-product interaction. Three distinct components or levels of product experiences are discussed: aesthetic…
Industrial Design
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Design research is alive and well, and living in an increasing number of places. I find encouraging evidence for this in the growth of research-based journals in the design world over the last ten to fifteen years. For example, Design Studies was…
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In this paper, we describe "Experience Prototyping" as a form of prototyping that enables design team members, users and clients to gain first-hand appreciation of existing or future conditions through active engagement with prototypes. We use…
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Interaction design takes a holistic view of the relationship between designed artifacts, those that are exposed to these artifacts, and the social, cultural, and business context in which the meeting takes place. While there is no commonly agreed…
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Design involves solving problems, creating something new, or transforming less desirable situations to preferred situations. To do this, designers must know how things work and why. Understanding how things work and why requires us to analyze and…
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To evaluate responses to medical therapy in ulcerative colitis, rectal biopsies of patients with active untreated disease, individuals with positive and negative sigmoidoscopic findings treated with salicylazosulfapyridine, prednisone and…
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In the past, design has most often occurred fairly far downstream in the development process and has focused on making new products aesthetically attractive or enhancing brand perception through smart, evocative advertising. Today, as innovation's…
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Understanding experience is a critical issue for a variety of professions, especially design. To understand experience and the user experience that results from interacting with products, designers conduct situated research activities focused on the…
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One of the principal assumptions behind the launching of this new journal is that Design can be identified as a subject in its own right, independent of the various areas in which it is applied to parctical effect. The Editorial Board is therefore…
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In this paper I propose that only part of our experience of events, and products in particu- lar, should be coined aesthetic. This part, the aesthetic experience, is restricted to the (dis)pleasure that results from sensory perception. The main part…
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There seems to have been a recent slight increase in the number of design papers with the word, evolution in their titles. Unfortunately, these papers are either vague about what is meant by this word, or they use the word in a non-Darwinian sense…
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Since its initial publication in 1970, Design Methods has been considered the seminal work on design methodology. Written by one of the founders of the design methods movement, it has been highly praised in international journals and has been…
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This paper presents selected findings of doctoral research exploring how design could be used to influence user behaviour towards more sustainable practices. It describes three strategies for changing user behaviour through design drawn from…
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The paper begins with a brief review of the historical concerns with the relationship between design and science, and seeks to clarify three different interpretations of this concern: (a) scientific design, (b) design science, and (c) a science of…
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We have used Papanek's 1985 revised edition rather than the original one of 1972 because he made a number of changes from one edition to another, and we wanted to draw on his most current thinking. For a discussion of Papanek's concept of socially…
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This paper discusses consumer response to product visual form within the context of an integrated conceptual framework. Emphasis is placed on the aesthetic, semantic and symbolic aspects of cognitive response to design. The accompanying affective…
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There is more than one way of defining research, and there are several traditions as to how research should be carried out. I will try to describe the nature of research in terms that would be common to most of them. First, very briefly, I will…
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Emotional design, i.e., designing with an intention to evoke or to prevent a particular emotion, can be facilitated by understanding the processes underlying emotions. A promising approach to understanding these processes in the current…
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Due to differences in the attachment consumers experience towards the durable products they own, they hang on to certain products whereas they easily dispose of others. From the viewpoint of sustainability, it may be worthwhile to lengthen the life…
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