Network Music
Papers in this group
-
Across cultures, and between individuals, certain musical pieces are consistently rated more favourably than others and the mathematical analysis of musical perception has a long history [1]. In contrast to previous descriptive mathematical…
-
In this paper we study the network structure in music and attempt to compose music artificially. Networks are constructed with nodes and edges corresponding to musical notes and their co-occurrences. We analyze sample compositions from Bach, Mozart,…
-
-
-
Discusses the aesthetic and performance history of the music group Hub. Information on the interactive computer network music of the group; Impact of changes in technology on the music of the group; Details of experiments with software synthesis and…
-
-
The notion of the 'reduced timbre space' has been provided ro help developing systematized control of timbral dimensions. A demonstration of a MAX/MSP patch will follow realizing standard sound synthesis and processing techniques which parameters…
-
-
This paper provides an overview of a cueing system, the Master Cue Generator (MCG) used to trigger performers (humans or computers) over an IP-based network. The performers are scattered in several locations and receive cues to help them interact…
-
One of the basic interests of ethnomusicologists has been discovering and understanding shared music behavior. Generally, learning about a particular culture's music has involved documenting and analyzing those aspects of music culture that many…
-
-
Communication of expressive and emotional content is a central aspect in music performance. An open research challenge in networked music performance is how to communicate such expressive, emotional content to remote audiences and performers. We…
-
This conference is, to my knowledge, the first national or international meeting specifically focused on the practice of computer network music. When I first started making music using computer networks over twenty years ago, my collaborators and I…
-
I want to thank Georg Hajdu and the other members of the Music in the Global Village crew for inviting me to give the keynote address today. I am very honored to have the opportunity to speak to all of you. The title of my talk—“Free Association:…
-
Since it was launched in 2004, the research group Locus Sonus has been working on artistic possibilities arising from the intersection of networked and acoustic or local audio spaces. The first projects, Locustream & Wimicam, were developed from…
-
This article gathers some performances and research efforts that are devoted to networked music. Brief descriptions are used to present the ideas and opportunities that are continually arising and intriguing many musicians even though the prospect…
-
-
Music is a temporal art. Recent experience with distributed performance has introduced new challenges to traditional ways of thinking about time with respect to ensemble composition and performance. Performing across two sites connected by the…
-
The variety of possible scenarios in which some form of networking intersects with musical performance is so great that almost any generalization will fail. The exception may be that some statements about media and space, which already seem…
-
PCRP (Parameter Controlled Remote Performance) is a new method to play music together on the Internet despite high delay. In many musical forms, the score of the piece is known beforehand. PCRP measures the deviations of the players from the given…