'Creative destruction': States, identities and legitimacy in the Arab world

3Citations
Citations of this article
18Readers
Mendeley users who have this article in their library.
Get full text

Abstract

In the modern Middle East, the public institutions associated with the internationally recognized states of the region are rarely viewed as trustworthy or reliable. Born in the demise of the Ottoman Empire, midwifed by European imperial powers who paid lip service to the development of the inhabitants, and nurtured in the cold war by superpowers largely indifferent to the well-being of the peoples of the region, the existing states came to be associated with expectations of welfare provision and structures of accountability that privileged external actors over local interests. In the absence of public institutions that responded to and represented local interests, people organized around those still vibrant alternative forms of community that existed - the exchange networks of informal economies or the kinship systems of extended families and the ethnic and religious communities of language, sect and confession - and sometimes they reorganized and reinterpreted these identities to supplement and ultimately supplant the failing states in which they found themselves. © The Author(s) 2014.

Cite

CITATION STYLE

APA

Anderson, L. (2014). “Creative destruction”: States, identities and legitimacy in the Arab world. Philosophy and Social Criticism, 40(4–5), 369–379. https://doi.org/10.1177/0191453714522478

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free