Models in Plato's Sophist and Statesman

Abstract

Plato’s Sophist and Statesman use a notion of a model (paradeigma) quite different from the one with which we are familiar from dialogues like the Phaedo, Parmenides, and Timaeus. In those dialogues a paradeigma is a separate Form, an abstract perfect particular, whose nature is exhausted by its own character. Its participants are conceived as likenesses or images of it: they share with the Form the same character, but they also fall short of it because they exemplify not only that character but also its opposite. Mundane beautiful objects are plagued by various sorts of relativity—Helen is beautiful compared to other women, but not beautiful compared to a goddess; she is beautiful in her physical appearance, but not in her soul or her actions; she is beautiful in your eyes, but not in mine, and so on. The Form of the Beautiful, which is supposed to explain her beauty, is simply and unqualifiedly beautiful (Symp. 210e5-211d1).