Abstract
This paper examines the antifeminist appropriation of cancel culture in South Korea, focusing on the controversy surrounding the finger-pinching motif, allegedly associated with Megalia, a now-defunct feminist online community. While cancel culture originated from marginalized groups challenging systemic injustices, it is now appropriated by dominant groups to reinforce social structures—in this case, to protect male privilege and undermine feminism. The study reveals how antifeminist canceling in the country has extended over the years beyond subcultural industries to companies, government agencies, and public institutions. Although both feminists and antifeminists engage in cancel practices, antifeminist canceling has led to the removal of numerous advertisements and the sanctioning of women and precarious workers, reflecting the fundamental gender power imbalance in South Korea. By examining social, public, and institutional responses, I argue that such institutional enforcement upholds and reproduces the antifeminist hijacking of cancel culture, further silencing marginalized communities.
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CITATION STYLE
Kim, J. (2025). Calling out Feminists: Antifeminist Hijacking of Cancel Culture in South Korea. Television and New Media, 26(1), 88–103. https://doi.org/10.1177/15274764241277471
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