Abstract
Increased migration has prompted discussions regarding most of the prime functions of museums as societal institutions. When the population and potential users of museums become more heterogeneous and diverse, the idea of a shared common national history becomes contested. Immigrant cultures have an important function in history writing and in heritage production. Many museum officials are currently concerned about developing new means to enable museums to face the challenges arising from increased migration. Such societal changes effect both the larger, long established national institutions, and the smaller regional or local museums. Although their means and methods vary significantly, the degree of inventiveness, engagement and resourcefulness is not necessarily proportional to the institution’s age or size. In this article, we ask what are the means and approaches that Norwegian museums currently use to involve migrants in museum work and how do they include stories and experiences from modern migrants in their collections.
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CITATION STYLE
Swensen, G., & Guttormsen, T. S. (2020). Illusionary equality? Museum politics, practice and immigrant heritage. Museum Management and Curatorship, 35(1), 15–35. https://doi.org/10.1080/09647775.2019.1638820
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