The Téchne of the 21st Century Transgressive Laughter: Stiob, Holy Foolishness, Rock Counterculture and Carnivalesque Trolling

Abstract

This article offers a comprehensive theorization of stiob as a historically sedimented, culturally specific, yet increasingly globalized modality of ironic discourse whose logic of deadpan overidentification has migrated from late-Soviet conceptualist counterculture into twenty-first-century political communication. Revisiting the folkloric, carnivalesque, and double-voiced foundations of stiob, this study situates the phenomenon within the longue durée of Russian humor, holy foolishness (юрoдствo), and the grotesque tradition described by Dmitry Likhachev, Aleksandr Panchenko, Mikhail Bakhtin, and Sergei Averintsev. The argument proceeds to demonstrate how contemporary political actors—most prominently Donald Trump and Vladimir Putin—have appropriated stiob and its adjacent practices (holy foolishness, trolling, strategic sacrilege, and carnivalesque inversion) as powerful rhetorical instruments capable of destabilizing discursive norms, undermining institutional authority, and creating a semi-permanent state of “infernal laughter.” Drawing on examples from political speech, social media, public performance, and mediatized spectacle, the article contends that both Trump and Putin deploy a repertoire of ironic aggression, misdirection, double-voiced innuendo, and taboo-breaking parody that weaponizes cultural archetypes of the jester, trickster, and holy fool. This mode of communication, simultaneously theatrical and destructive, produces a new form of political carnivalesque in which hierarchical orders are inverted, outrage is instrumentalized, and the distinction between sincerity and mockery collapses. Ultimately, this article argues that stiob, trolling, and holy foolishness now constitute a transnational discursive formation reshaping public culture in the twenty-first century.