The Covid lockdowns of 2020 and 2021 led many people to reassess their relationship to places. This article attempts, during this time of restricted movement, to imaginatively deep-map an island in the mouth of the Shannon in west Clare where my grandmother was born and raised. My deep-mapping of the island is by necessity virtual, assembled piecemeal from memories, daydreams, family recollections, historical fragments and that powerful, semi-enchanted sense of co-presence that can be found online. Unable to make a physical journey, I rely on the accretive and associative techniques of contemporary place writing. The article uses montage, juxtaposition, thick description, dense detail, imaginative reconstruction and the essayistic blending of undisciplined bits of knowledge, all of which do some of the work of conventional linear argument. As in place writing, the micro-study of a small, special place becomes a way of thinking more widely about our relationship to the earth in a time of environmental and public health emergency. The article is both my own experiment in place writing and an argument for the fresh perspectives that place writing can bring to cultural geography.
CITATION STYLE
Moran, J. (2022). A virtual island journey: place and place writing in lockdown. Cultural Geographies, 29(1), 115–128. https://doi.org/10.1177/14744740211029288
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