This article explores a group of editorial mechanisms through which editors shape books as a function of their readers ideals. It also examines the commonplace notion in the history of publishing and reading that "meaning is inscribed in its own material forms": in the case of the book, though the visual, typography, the relationship between the white page and black letters, size, binding, etc. The article is based on a careful study of a collection of popular books, the Spanish Araluce collection, which circulated widely in both Colombian cities and the countryside during the first half of the twentieth century. (English) [ABSTRACT FROM AUTHOR]
CITATION STYLE
Silva, R. (2008). El libro popular en Colombia, 1930-1948 Estrategias editoriales, formas textuales y sentidos propuestos al lector. Revista de Estudios Sociales, (30), 20–37. https://doi.org/10.7440/res30.2008.02
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