Self-Concept Artists Jemek Supardi in Constructing Indonesian Pantomime Techniques

Abstract

The phenomenon of Jemek Supardi's existence as an Indonesian pantomime artist becomes interesting to examine comprehensively about Self-Concept Artists Jemek Supardi in Constructing Indonesian Pantomime Techniques. The method applied in this research is qualitative. The umbrella used in this research is Phenomenology which is assisted by various scientific disciplines, such as psychology, symbolic intraction and existence. The data collection technique was carried out by interview, observation and document study. The purpose of this article discusses the Self-Concept Artists Jemek Supardi in Constructing Indonesian Pantomime Techniques, so that it can be used as a roll model of pantomim based on psychological development, aesthetic considerations and cultural characteristics of the community as inspiration in the work of pantomime. The results of the research get the concept of pantomime Jemek Supardi as Roll Model of Indonesian Pantomime Technique and works of Jemek Supardi pantomime since 1979-2019 as the existence of Indonesian pantomime works.