Assessing the (In)Stability of Urban Art Paints: From Real Case Studies to Laboratory Investigations of Degradation Processes and Preservation Possibilities

Abstract

Urban art as a shared expression of street art between artists, citizenship and municipalities has always had an important role in the social life and appearance of modern cities. However, the durability of urban and street artworks is susceptible to the degradation processes that the employed commercial paint formulations undergo once outdoors. These are complex mixtures of compounds, differently sensitive to environmental agents according to their chemical nature. Starting from the colorimetric analysis of murals created in 2010, 2011 and 2018 in Reggio Emilia, Italy, documenting their degradation already after a few months, this study aimed at understanding the stability of the most unstable paints used by the artists in these artworks. A multi‐analytical approach evaluated the commercial products under the chemical point of view, after natural and accelerated ageing. Additionally, two manufactured anti‐UV varnishes were evaluated for their possible use as coatings. The results pinpointed the weaknesses of the selected paints and highlighted how the application of an anti‐UV coating might slightly affect the visual aspect of the artwork, though ensuring a greater resistance to the outdoor conditions due to their minor chemical sensitivity to environmental agents.