Mir Taqi Mirs Zikr-i Mi¯r: An Account of the Poet or an Account by the Poet?

Abstract

Although the famous Mughal poet Mir Taqi Mir's Persian text Zikr-i Mi¯r has come to enjoy considerable renown as the first autobiography penned by an Urdu poet, scholars of Mir have continued to be puzzled by the text's contents. Its diverse sections comprise a mishmash of hagiography, historical chronicle and popular bon mots, and yield little in the way of informing us about Mir the man or Mir the poet. Even more problematical is the inclusion in the text of numerous 'facts' that are quite easily disprovable. Should we then consider much of Zikr-i Mi¯r to be false and fabricated? Or should we take Mir's intention in composing the text to be something other than autobiographical? This article argues for the latter, proposing that much of what is confusing about the text is only really so because of our misplaced generic expectations from it - many of its 'inconsistencies' may be accounted for by freeing it from its autobiographical straitjacket and viewing it instead through the prism of a variety of alternative Persianate genres forming part of a wider, cosmopolitan, classical literary tradition. Through the focal example of Mir's text as well as examples from a variety of Mughal, Ottoman and Arabic writings, the article underlines the importance of distinguishing between 'autobiography' and 'autobiographical', and contests notions of the existence of a distinct, recognisable and recognised genre of autobiography in the pre-modern Islamicate context.