Does timbre modulate visual perception? Exploring crossmodal interactions

Abstract

MUSICAL TIM BRE IS OFTEN DESCRIBED USING terms from non-auditory senses, mainly vision and touch; but it is not clear whether crossmodality in timbre semantics reflects multisensory processing or simply linguistic convention. If multisensory processing is involved in timbre perception, the mechanism governing the interaction remains unknown. To investigate whether timbres commonly perceived as ''bright-dark'' facilitate or interfere with visual perception (darkness-brightness), we designed two speeded classification experiments. Participants were presented consecutive images of slightly varying (or the same) brightness along with task-irrelevant auditory primes (''bright'' or ''dark'' tones) and asked to quickly identify whether the second image was brighter/darker than the first. Incongruent prime-stimulus combinations produced significantly more response errors compared to congruent combinations but choice reaction time was unaffected. Furthermore, responses in a deceptive identical-image condition indicated subtle semantically congruent response bias. Additionally, in Experiment 2 (which also incorporated a spatial texture task), measures of reaction time (RT) and accuracy were used to construct speed-accuracy tradeoff functions (SATFs) in order to critically compare two hypothesized mechanisms for timbre-based crossmodal interactions, sensory response change vs. shift in response criterion. Results of the SATF analysis are largely consistent with the response criterion hypothesis, although without conclusively ruling out sensory change.