Abstract
In a futuristic, dystopian Australia, Max Rockatansky is a lone warrior struggling against the forces that have ripped his family, and society as a whole, to shreds. From rogue motorcycle gangs to violencebased legal systems, the Mad Max films depict a world in which the most toxic aspects of masculinity have poisoned society, mutating into something far more dangerous — something monstrous. The series presents a version of monstrosity that has sunk its claws into the very masculinity it usually serves to validate; in light of these subversions, this analysis utilizes monster theory in conjunction with gender studies to examine toxic masculinity in the Mad Max franchise
Cite
CITATION STYLE
Hampshire, K. (2017). “Who Killed the World?”: Monstrous Masculinity and Mad Max. Digital Literature Review, 4, 177–190. https://doi.org/10.33043/dlr.4.0.177-190
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