Through films such as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and the depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.
CITATION STYLE
Jackson, K. (2016). Gender and the nuclear family in twenty-first-century horror. Gender and the Nuclear Family in Twenty-First-Century Horror (pp. 1–218). Palgrave Macmillan. https://doi.org/10.1057/9781137532756
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