Time-Based signal processing and shape in alternative rock recordings

Abstract

This article considers the impact of time-based signal processors on the shape of alternative rock recordings. The concept of musical shape is considered here as both textural and gestural. In this instance, texture pertains to the interactions between the component parts of a multitrack recording and gesture relates to applications of processing by the recordist. Drawing on examples by the Jesus and Mary Chain, Siouxsie and the Banshees, Mazzy Star and My Bloody Valentine, the impact of time-based signal processors on the shape of the recordings is elucidated.