Beyond Chord-Scale Theory - Realizing a Species Approach to Jazz Improvisation

Abstract

Chord-scale theory, a cornerstone in the instruction of jazz improvisation, associates intervals and harmonies (like seventh chords) and modes. This theory extends to Schenkerian analysis of modern jazz, as shown in analyses of Charlie Parker’s Red cross and Harold Land’s Stompin’ at the Savoy. Pedagogically developing sensitivity to more structural harmonic tones in bebop, and understanding how they connect, will aid students in bridging the gap between theory and practice.