Abstract
In no other country, perhaps, the need for a sound understanding of [Eastern music] and the opportunity of studying it answer each other so well as they do in Palestine. For the European, here, it is of vital interest to know the mind of his Oriental neighbour; well, music and singing, as being the most spontaneous outcome of it, will be his surest guide provided he listens to it with sympathy instead of disdain.
Cite
CITATION STYLE
APA
Davis, R. F. (2010). Ethnomusicology and Political Ideology in Mandatory Palestine: Robert Lachmann’s “Oriental Projects.” Music and Politics, IV(2). https://doi.org/10.3998/mp.9460447.0004.205
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