An outline for a semiotic theory of hegemony

  • Selg P
  • Ventsel A
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There are basically three main problems that this article tries to address. First, it aims to elaborate and take to a more general level the main principles of the semiotic theory of hegemony that has been proposed recently. It takes as a starting point the discourse-theoretical approach to political analysis developed most notably by Ernesto Laclau and the Essex School, and tries to complement this with the insights provided by the semiotics of culture of Yuri Lotman and the Tartu-Moscow School. Second, it tries to develop a second-range model of hegemony that could be of service for designing empirical studies of concrete hegemonic formations and their different modalities. Third, it strives to provide a preliminary sketch of a concrete analysis of a hegemonic formation that has produced a dominating signifier 'Singing Revolution' for identifying very heterogeneous set of events in Estonia's recent history. [ABSTRACT FROM AUTHOR]
Copyright of Semiotica is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Author-supplied keywords

  • "Singing revolution"
  • Cultural semiotics
  • Discourse analysis
  • Discourse theory
  • Hegemony
  • Political semiotics

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  • Peeter Selg

  • Andreas Ventsel

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