Maras introduces the collection by arguing that historically speaking, issues of ethics and screenwriting have been handled primarily through a discussion of the morality of film under the Hays Office production code in the USA during the 1930s and 1940s. This approach limits discussion of ethics to a coded form of morality. Through careful analysis of the production code and its ethical discourse, Maras makes a case for the need for new perspectives exploring ethics in screenwriting. The chapter argues for a greater focus on screenwriting as a practice that engages with ethics on a number of different levels. It also recommends a more considered understanding of ethics as multifaceted and multidimensional.
CITATION STYLE
Maras, S. (2016). Ethics Beyond the Code. In Palgrave Studies in Screenwriting (pp. 1–29). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-54493-3_1
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