DEVOURING HAMLET: CULTURAL ANTHROPOPHAGY AS AN ADAPTATION METHODOLOGY

Abstract

This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (The Inheritance), by Ozualdo Candeias (1970), and O jogo da vida e da morte (The Game of Life and Death), by Mario Kuperman (1971), constitute intertextual works which can be understood as transcultural, anthropophagic adaptations of the Shakespearean drama.