Sandur Mandura Performance as a Source Creation of Jombang Topeng Dance

Abstract

Sandur Mandura performance has different characteristics from other Sandur performances in East Java. Also, the Sandur Mandura performance has forms and values that can be used as a source for creating or developing the Jombang Topeng (mask) dance. This study aimed to analyse the Sandur Mandura performance as a source of the Jombang mask dance creation. The research approach of this study used the concept of art creation, especially dance. The method used in this study was descriptive analytics. Data validity of this study used triangulation of sources and methods. The data were analysed by using interactive techniques. The study results indicated the uniqueness and strength of the performance as a creation source, including the Madurese language used and the dominance of saronen or selompret musical instruments. Moreover, the accentuation of movements and the trajectories of four-patterned also the left-turn circle pattern become the strength of this dance art as a source of inspiration, ideas in dance creations, as well as the iconography of masks and their meanings. The unique characteristics of the Sandur Mandura performance can greatly support artists' encouragement and stimulation to create the Jombang Topeng dance works.