Based on the discussion about the subaltern woman's body as a stage of conflicts where the tensions resulting from Brazil's unequal gender, class and race relations unfold, this article intends to analyze recent fictional works specifically the novels: Marilene Felinto's As mulheres de Tijucopapapo and Conceição Evaristo's Ponciá Vicêncio, as well as the film O céu de Suely, by Karim Aïnouz in order to place them within the debate of translation of the post-colonial agenda into Portuguese. Focusing the subjective experience represented in these fictional narratives, themes like travel, dislocation and exile will also be analyzed. © 2009 by Revista Estudos Feministas.
CITATION STYLE
Schmidt, S. P. (2009). Cravo, canela, bala e favela. Revista Estudos Feministas, 17(3), 799–817. https://doi.org/10.1590/S0104-026X2009000300010
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