Perception of solar eclipses captured by art explains how imaging misrepresented the source of the solar wind

Abstract

The visible corona revealed by the natural phenomenon of solar eclipses has been studied for 150 years. A turning point has been the discovery that the true spatial distribution of coronal brightness can neither be seen nor imaged on account of its unprecedented dynamic range. Howard Russell Butler (1856-1934), the painter of solar eclipses in the early 20th century, possessed the extraordinary skill of painting from memory what he saw for only a brief time. His remarkable but forgotten eclipse paintings are, therefore, ideal for capturing and representing best the perceptual experience of the visible corona. Explained here is how by bridging the eras of visual (late 19th century) and imaging investigations (since the latter half of the 20th century), Butler's paintings reveal why white-light images misled researching and understanding the Sun's atmosphere, the solar wind. The closure in understanding solar eclipses through the convergence of perception, art, imaging, science and the history of science promises to enrich the experience of viewing and photographing the first solar eclipse of the 21st century in the United States on 21st August 2017.