Abstract
Brazilian music, rich and modern, cannot be integrally fit in typologies. This article detaches the importance of the musical material and the autonomy in the compositional procedures, and considers that the understanding of the work of Egberto Gismonti cannot be restricted to strictly "Brazilian" elements of the "nacional-popular".
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APA
Melo, R. S. (2007). O “Popular” em Egberto Gismonti. Novos Estudos CEBRAP, (78), 191–200. https://doi.org/10.1590/s0101-33002007000200015
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