When you have put all the ingredients together, from community to large form, you are confronted with the most annoying question: Where will I be positioned in the local or global marketplace? After all, you want or have to make a living out of your profession as a composer. Of course, you can become a teacher or even a university professor of composition and then you have also answered the survival question, but this is not our concern here. We want to think about earning money as a composer, not as a teacher.
CITATION STYLE
Mazzola, G., Park, J., & Thalmann, F. (2011). Commercial Aspects. In Computational Music Science (pp. 123–127). Springer Nature. https://doi.org/10.1007/978-3-642-24517-6_16
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