This is the case of one writer, working in a field less familiar to us. The paradigm of practice was different in the British film of the 1920s, and it was changing, which presented problems for a screenwriter who had opinions about good screenwriting. Intellectual debate over film principles led to strong views, but tensions in practice had particular consequences.
CITATION STYLE
Macdonald, I. W. (2013). Hitchcock’s Forgotten Screenwriter: Eliot Stannard. In Palgrave Studies in Screenwriting (pp. 132–160). Palgrave Macmillan. https://doi.org/10.1057/9780230392298_7
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