Abstract
Two elements have always been essential to this artist: the concept that artists who work with computers should know how to program and the influence of philosophical concepts on aesthetic proposals. This strong presence of philosophical concepts is responsible for what he understands as art.
Cite
CITATION STYLE
APA
Poltronieri, F. (2018). Chance, Poetry and Computational Art: The Visual Theogonies. In Springer Series on Cultural Computing (pp. 269–277). Springer. https://doi.org/10.1007/978-1-4471-7367-0_27
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