Towards weird verticality: The spectacle of vertical spaces in Chongqing

Abstract

Critical scholarly attention to vertical urbanism has expanded greatly in recent years but has seldom engaged with the variety of high-rise urban forms developed in mainland Chinese cities following the demise of socialist urban political economy. This paper introduces the case study of Chongqing as a critical example of the cultural significance of vertical urbanism in the post-socialist Chinese city, examining how supposedly ‘weird’ spaces of vertical density are materially and discursively constructed. Chongqing has undergone rapid urban expansion since the 1990s within a narrow and mountainous terrain, resulting in a number of extraordinary instances of extreme vertical density in the city. These sites have subsequently become ‘spectacles’ in themselves, widely photographed and discussed on social media. This paper surveys online discourse and imaging of these sites to categorise them as examples of connection, compression and luxification. Verticality is used to construct imaginaries of urban futures, and designations of ‘weird’ verticality differ between outsiders and locals. Such imaginaries may also obscure the history of urban restructuring which gave rise to these spaces in the first instance, and the conflicts between public and private space which emerge from this restructuring. The example of Chongqing provides an important demonstration of verticality as an everyday, historically grounded and contested environment within the city, rather than a recent imposition on a residual horizontal way of life. This paper concludes with a call for greater ethnographic attention to the weird qualities of such vertical spaces in the production of new urban theory.