As a singular moment in the western canon, the opening of the recapitulation in the first movement of Beethoven’s Ninth Symphony has prompted a variety of structural and expressive readings. This paper explores its intertextual connections with Mozart’s Don Giovanni from a memetic perspective, outlining certain extra-musical interpretations, including some related to Susan McClary’s controversial reading of the passage, one might infer from the strong musical connections.
CITATION STYLE
Jan, S. (2016). Understood at last’?: A memetic analysis of Beethoven’s ‘bloody fist. In Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) (Vol. 9617 LNCS, pp. 420–437). Springer Verlag. https://doi.org/10.1007/978-3-319-46282-0_27
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