Cooperativas independientes entre la exhibición cinematográfica y la gestión cultural: El cine ciudadano en la periferia de la industria

Abstract

From the organization of a number of people in cultural cooperatives, called citizens cinemas implemented a similar strategy of guerrilla's culture, reopening bankrupt film locals or cinema projects that had been stalled. The key driver of these experiences is fed by the possibility of opening a space in the periphery of the film industry, directly managed by the partners, able to rescue films that might not have commercial distribution and would not projecting in the drawer of a residual distribution. Therefore, these spaces energized by social movements are configured as a real alternative in front of censures promoting by the film commercial distribution system.