Licence and Poetic Licence: A Critical Examination of the Complicated Relationship Between the CRTC and Specialty Channels

  • Killingsworth J
N/ACitations
Citations of this article
6Readers
Mendeley users who have this article in their library.

Abstract

Specialty channels in Canada earn revenues from cable carriage that are rarely commensurate with their audience size. These revenues are potentially so lucrative that prospective operators often make unrealistic promises to the CRTC regarding the channels’ original and Canadian content. In exchange for these promises, the Commission limits competition among specialty channels. Once a licence is obtained, however, specialty channels quickly attempt to extricate themselves from their burdensome promises in order to maximize profits and establish stronger advertising revenues. In some cases, specialty channels attempt to redefine themselves in ways that depart significantly from their original promises. Specialty channels can improve their chances of securing changes to their licences through strategically timed applications. In a misguided attempt to promote Canadian programming and curb the dominance of American broadcasters, the CRTC is not allowing specialty channels to properly prepare for a future that may not include lucrative revenues from cable subscription fees.

Cite

CITATION STYLE

APA

Killingsworth, J. (2005). Licence and Poetic Licence: A Critical Examination of the Complicated Relationship Between the CRTC and Specialty Channels. Canadian Journal of Communication, 30(2), 211–232. https://doi.org/10.22230/cjc.2005v30n2a1425

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free