The Literary-Inspired Web Series, Dickens and LGBTQIA+ Representation: Public History - A David Copperfield Web Series (2019-20)

Abstract

Web series adaptations of the classics have been a familiar part of digital popular culture since the watershed appearance of The Lizzie Bennet Diaries (2012-13). Adaptation critics, including Douglas M. Lanier, Jennifer Camden, and Kate Faber Oestrich, have tended to focus on relatively high-profile Austen and Shakespeare vlog adaptations, especially those produced by Pemberley Digital. In this article, I update the genre's genealogy by turning instead to later waves of low-budget creativity that have taken this transmedia form in new directions since the peak years of the literary-inspired web series in the mid-2010s. I pay particular attention to Quip Modest's Public History-A David Copperfield Web Series (2019-20), a relatively rare example of a Dickens adaptation in the web series format which remoulds the multi-generational three-decker saga into an LGBTQIA+ positive coming-of-age narrative for the Generation Z audience. My contextualised close reading of the adaptation simultaneously reframes our understanding of Dickens's digital canonicity and helps us better grasp the cultural logic of the literary web series adaptation community.