The cultural logic of photo-based meme genres

163Citations
Citations of this article
302Readers
Mendeley users who have this article in their library.

This article is free to access.

Abstract

This article probes the cultural meaning of contemporary meme genres that are based on photographs. The analysis looks into the broad dimensions of truth and temporality, as expressed in three prominent genres: reaction Photoshops, stock character macros, and photo fads. Based on patterns shared by these genres, it is argued that photo-based memes function as both modes of hypersignification, wherein the code itself becomes the focus of attention, and as prospective photography, wherein photos are increasingly perceived as the raw material for future images. Finally, combining the two frames, memes are conceptualized as operative signs - textual categories that are designed as invitations for (creative) action. While these three qualities were also evident, in one way or another, in traditional forms of photography, they have emerged as governing logics in an era marked by an amalgamation of digital photography and participatory culture.

Cite

CITATION STYLE

APA

Shifman, L. (2014). The cultural logic of photo-based meme genres. Journal of Visual Culture, 13(3), 340–358. https://doi.org/10.1177/1470412914546577

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free