In this chapter, I address the subsequent deconstruction of heteropatriarchy by feminist thought and its cultural manifestos. Gloria Anzaldúa’s Borderlands/La Frontera and Ana Castillo’s The Massacre of the Dreamers recreate new systems of self-representation during the 1980s and 1990s, and transform social activism through their feminist and queer vision of the new mestiza and the Xicanista approach. Chicana feminists, by proposing a disrupted wholeness or the total Self, produce the image of a rotating wheel of interconnecting opposites—a fractured identity always transforming, and a rejection of “tradition” as a static Mexican-Americanness. Chicana feminist thought connects images of wholeness to a healing, interconnecting sense of representation that allows them to transcend narrow understandings of self and culture.
CITATION STYLE
Velasco, J. (2016). The New Mestizas. In Literatures of the Americas (pp. 145–173). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-59540-9_6
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