Metaphysics and music in adorno and heidegger

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Abstract

Metaphysics and Music in Adorno and Heidegger seeks to show how two notoriously opposed German philosophers share a rethinking of the contemporary possibility of metaphysics via notions of music and waiting. Interweaving discourses of philosophy, critical theory, cultural studies and aesthetics, the book puts forward the idea of an expression of waiting in vain as constituting an alternative comportment of promise, in a situation where the promise of metaphysics is questionable. These findings are connected to the broader, historical materialist promise of social change. Throughout the book, the Italian composer Luigi Nono is taken to exemplify the temporal and spatial character of this expression. Metaphysics and Music in Adorno and Heidegger includes new interpretations of both Adorno and Heidegger, and will be of interest to students and scholars of both critical aesthetics and radical thought.

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Phillips, W. (2015). Metaphysics and music in adorno and heidegger. Metaphysics and Music in Adorno and Heidegger (pp. 1–215). Palgrave Macmillan. https://doi.org/10.1057/9781137487254

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