Fractured Scenes: Underground Music-Making in Hong Kong and East Asia

Abstract

Brings together scholars, artists and event organizers to share their insights on key underground music productions broadly defined (recordings and various other objects; events; visual documents, etc.) and/or to provide critical accounts of some of the most important underground music actors in Hong Kong and in neighbouring south-east Asian countries While emphasizing contributions dealing with Hong Kong specifically, also includes case studies dealing with Mainland Chinese, Japanese and Philippian underground music practices either specifically or comparatively Valuable resource for students and teachers of cultural studies, popular cultures, Asian studies, ethnography, anthropology and human geography, as well as practitioners, promoters, and producers interested in underground music production in an Asian context