This paper presents the study and restoration of Georges Mathieu's 1957 painting Théorème de Gödel (oil on canvas, 146 cm{\thinspace}{\texttimes}{\thinspace}89 cm), in the Palais des Beaux Arts of Lille, France. The painting shows several signs of degradation which result from a combination of factors such as: the artist's action and painting technique: tubisme producing thick black impastos; the composition and interaction between the binding media, linseed oil and the ivory black pigment; the environmental conservation conditions.
CITATION STYLE
de Ségogne, H. (2014). Théorème de Gödel by Georges Mathieu, 1957. Study and Restoration: Consolidation Through Cohesive Regeneration Using a Solvent. In Issues in Contemporary Oil Paint (pp. 149–157). Springer International Publishing. https://doi.org/10.1007/978-3-319-10100-2_9
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