Face robots onscreen: Comfortable and alive

2Citations
Citations of this article
1Readers
Mendeley users who have this article in their library.
Get full text

Abstract

This chapter draws upon the author’s experimental video artwork Comfortable and Alive, made with the Japanese gynoid robot Geminoid-F by ATR Hiroshi Ishiguro Laboratories, to facilitate a wider, yet fractional, discussion of the cultural provenance and potential integration of specifically femaleappearing android robots (gynoids). The “display architecture” of the gynoid can be viewed as an aesthetic emulation by robot designers of the centuries-old characterization of girls and women as naïve, pretty, submissive and soothing; this construction also pervades televised and other media. At the present time it is viewed as ideal that the service gynoid should make humans feel comfortable, most often in companionship, entertainment, hostessing, and reception roles. The artwork raises poignant issues pertaining to machine translation, and human– machine affinity, in context of the replication in robots of societal gender norms.

Author supplied keywords

Cite

CITATION STYLE

APA

Knox, E. (2016). Face robots onscreen: Comfortable and alive. In Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) (Vol. 9549, pp. 133–142). Springer Verlag. https://doi.org/10.1007/978-3-319-42945-8_11

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free