Abstract
Nowadays, analysis and synthesis processes allow a wide variety of timbral effects. One of the most popular effects is known as cross-synthesis. Crosssynthesis consists in combining timbral parameters from two distinct sounds to obtain a new hybrid sound. This paper introduces the use of principal component analysis (PCA) in an analysis/synthesis process and shows its flexibility for the creation of hybrid sounds.
Cite
CITATION STYLE
Rochebois, T., & Charbonneau, G. (1997). Cross-synthesis using interverted principal harmonic sub-spaces. In Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) (Vol. 1317, pp. 375–385). Springer Verlag. https://doi.org/10.1007/bfb0034127
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