This chapter introduces the paradigm of experimental humanities. Such a perspective is basic to all computational, resp. effective, methods in musicology. We discuss the parallel to the epochal Galilean change from speculative to experimental natural sciences.
CITATION STYLE
Mazzola, G. (2017). Models and Experiments in Musicology. In Computational Music Science (pp. 27–32). Springer Nature. https://doi.org/10.1007/978-3-319-64364-9_4
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