This book reflects on the aftermath of shifts encountered in the maturing of digital culture in areas of critical theory and artistic practices, focusing on the awareness that contemporary subjectivity is one that dwells within both the virtual and the real.
CITATION STYLE
Blades, H. (2015). Inscribing Work and Process: The Ontological Implications of Virtual Scoring Practices for Dance. In The Performing Subject in the Space of Technology (pp. 202–219). Palgrave Macmillan UK. https://doi.org/10.1057/9781137438164_13
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