Watching Cinema Disappear: Intermediality and Aesthetic Experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013)

  • de Luca T
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Abstract

hb Kindle Wichtiger Beitrag: Er bezeichnet Stray Dogs als "film stiching together curious events that ofen sppear as stand-alone audio-visual tableau."

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de Luca, T. (2017). Watching Cinema Disappear: Intermediality and Aesthetic Experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In The Long Take (pp. 163–176). Palgrave Macmillan UK. https://doi.org/10.1057/978-1-137-58573-8_11

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