In this paper we present a method for polyphonic music source separation from their monaural mixture, where the underlying assumption is that the harmonic structure of a musical instrument remains roughly the same even if it is played at various pitches and is recorded in various mixing environments. We incorporate with nonnegativity, shift-invariance, and sparseness to select representative spectral basis vectors that are used to restore music sources from their monaural mixture. Experimental results with monaural instantaneous mixture of voice/cello and monaural convolutive mixture of saxophone/viola, are shown to confirm the validity of our proposed method. © Springer-Verlag Berlin Heidelberg 2006.
CITATION STYLE
Kim, M., & Choi, S. (2006). Monaural music source separation: Nonnegativity, sparseness, and shift-invariance. In Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) (Vol. 3889 LNCS, pp. 617–624). Springer Verlag. https://doi.org/10.1007/11679363_77
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