“Breaking the Dam to Reunify our Country”: Alternate Histories of the Korean War in Contemporary South Korean Cinema

Abstract

This article analyzes three contemporary South Korean films that (re)present al- ternate histories of the Korean War: 2009 Lost Memories (2009 Rosŭt’ŭmemorichŭ) (Lee Simyung (I Simyŏng), 2002), Welcome to Dongmakgol (Welk’ŏm t’u Tongmakkol) (Park Kwang-hyun (Pak Kwanghyŏn,) 2005), and Joint Security Area (Park Chan-wook, 2000). Despite focusing on different eras of history, I argue that they rewrite dominant narratives of the Korean War (Cold War logics of anticommunism v. communism) and instead focus on North Kore- an-South Korean friendships/collaborations. Each film also presents similar situa- tions in which a group of disparate “heroes” (made up of unified Koreans) band together to circumvent the circumstances of division. This article analyzes histori- cal conditions that influence the emergence of these similarly-themed films as well as film content in order to further think through memorial legacies of the Korean War, as well as to take seriously the radical possibilities of a different future that each film presents.