Abstract
Debord's theory about the spectacle was conceived as a critique of the split between image and reality and also as a critique of mediacentrism. Its theoretical roots lie in the experience of aesthetic vanguards, in the theory of reification of G. Lukacs and to the reflections of H. Lefébvre on everyday life. Later, postmodernism appropriated Debord's legacy to develop, in a different theoretical register, the theory of the simulacrum. [ABSTRACT FROM AUTHOR]
Register to see more suggestions
Mendeley helps you to discover research relevant for your work.
Already have an account? Sign in
Sign up for freeCite
CITATION STYLE
APA
Frederico, C. (2011). Debord: from spectacle to simulacrum. Matrizes, 4(1), 179. https://doi.org/10.11606/issn.1982-8160.v4i1p179-191
Readers' Seniority
Readers' Discipline
