Abstract
In 2012, Singaporean multidisciplinary artist Loo Zihan re-enacted a 1994 piece by performance artist Joseph Ng that had sparked controversy both in the artistic circles and mainstream media in Singapore. Titled Cane, Loo’s piece revisits Ng’s original...
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CITATION STYLE
APA
Wong, M. W. (2016). Performing Singapore’s Queer Quandary: Walking the Tightrope Between Sexual Illegality and Neoliberal-Enabled Subjectivity at Pink Dot and in Loo Zihan’s Cane. In Queer Dramaturgies (pp. 66–80). Palgrave Macmillan UK. https://doi.org/10.1057/9781137411846_4
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