Abstract
The paper examines the structural and conceptual differences between the Speculum musicum from Euler's 1774 De Harmoniae, and the nineteenth-century Tonnetz, but also examines how Euler's conception of intervals as paths within the Speculum anticipates a combinatorial conception of interval that underlies contemporary transformational theories. © 2009 Springer-Verlag.
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CITATION STYLE
APA
Gollin, E. (2009). Combinatorial and transformational aspects of Euler’s Speculum musicum. In Communications in Computer and Information Science (Vol. 37 CCIS, pp. 406–411). https://doi.org/10.1007/978-3-642-04579-0_40
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